ADELE 

A song inspired by the Wisconsin farm-girl Adele Brice, who on her way to church in 1859 had a vision of the Virgin Mary.  Adele told others that Mary instructed her to start a school, which Adele did. Then  during the  great Peshtigo Fire of 1872 (the deadliest in American history), Adele's followers came to the school site and prayed to Mary. Unlike thousands of others, they were spared.  The site, which includes a church and chapel, is now  the National Shrine of Our Lady of Champion north of Green Bay and hosts an annual Catholic pilgrimage.     

   

Momma, tell me the story of the girl Adele  

Who in a crown of stars saw the Queen of Heaven 

And how Holy Mary gave her shelter on that dark October day 

When every desperate creature came in terror from the raging flame 

Until the Virgin by her grace compelled the flame to turn its face

   

Daughter, when you are older you will know too well 

There is no crown of stars, nor a Queen of Heaven 

Soon the burdens of the world dispel the fantasies of childhood days 

I would spare you from the fears that prowl across this vale of tears 

Still you will learn that no grace compels the flame to turn its face

   

Momma, I know that many doubt the girl Adele 

Who in a crown of stars saw the Queen of Heaven 

And that Holy Mary gave her shelter on that dark October day 

But if drought or war or hate or fear sweep down like flame upon us here 

Then may Mary by her grace compel the flame to turn its face

   

HOLLY FELDMAN:  Lead vocal (Daughter)

KAREN MAL:  Lead vocal (Mother) 

DOC HEIDE: Acoustic guitar 

JAMES KAPLAN: Piano 

HANS CHRISTIAN: Bass, cello   

 

ALL SHALL BE WELL 

Inspired by the life of Julian of Norwich, a 14th Century British mystic who is believed to be the first woman to write a book in the English language. Julian chose to live most of her adult life in one room inside a church devoting herself to prayer.  Developing a life-threatening condition, she was administered last rites and then had a near-death experience where she reported that the ultimate nature of reality was revealed to her.  Her famous pronouncement from this experience was that, despite appearances to the contrary, "All shall be well, and all shall be well, and all manner of things shall be well."   

 

Born in a time of sorrow, you longed to live alone 

A room within an old stone church would be your home 

At the hour of death, the Prince of Heaven came to you 

To reveal the sacred path to all that’s true 

Sixteen revelations from the Prince of Heaven came 

You wrote down how he told you we are not to blame 

God is never angry and longs to make us whole And is always here within our soul

   

Love is forever, it stretches like a boundless sea 

Without beginning, without ending shall it be 

Go forth together and welcome love into your heart to dwell 

All shall be well, in the end all shall be well 

All shall be well, in the end all shall be well

             

What did her show you? (Love)             

Why did he show you? (Love)             

In the garden of your soul tend the seed             

What was his meaning? (Love)             

And our redeeming? (Love)             

Know this and nothing more you’ll ever need 

  

He did not say in this lifetime we’’ll find freedom from travail 

Or evade the temper of the howling gale 

He did not say our troubles end before our days are done 

But he did say we shall not be overcome 

CHORUS

   

KAREN MAL: Lead vocal 

MATT ZEMBROWSKI: Piano, harmony vocal 

DOC HEIDE: Acoustic guitar, harmony vocal 

HANS CHRISTIAN: Bass, cello

ALL SHALL BE WELL CHOIR”:  AMY CHAFFEE DEB FETT DOC HEIDE CRAIG KONOWALSKI ERIC LEWIS TIM McNURLEN KELLY MESSER   

 

FISHER GOES TO THE SKYWORLD 

This song weaves together an Anishinaabe tale about the origin of the Fisher constellation (aka The Big Dipper) with an imagined conversation with a heroic friend who departed this world too young.  The song was derived from a project developed in consultation with the great Ojibway spiritual leader Eddie Benton-Banai.   

 

There was a time when summer lay beyond the sky captured by the thieves of Heaven 

And from their lonely cages you could hear the cry of birds yellow as the sun 

And so old friend, you said that we would have to try to free the warm wind from its prison 

“Let us go, it doesn’t matter when we die but how we’re living ‘til we’re done” 

  

I give my soul to the morning, my dreams to the evening 

May I long know the beauty 

I take my life from the dawning, see my end in the setting 

May my feet walk in starlight and my pathway be sacred   

You always said that we are here upon the Earth to fan the spark within each other 

And so, my friend, you chose to use your precious birth to free the summer sweet and long 

Now Ojiig, all who gaze can see your worth bright within the stars, my brother 

Evermore you’ll dwell where you have found rebirth and sing your blessed vision song

   

STEVE KOEHLER: Lead vocal 

KAREN MAL: Harmony vocal 

DOC HEIDE: Acoustic guitar 

ERIC LEWIS: B3, electric guitar, acoustic guitar 

JAMES KAPLAN: Piano HANS CHRISTIAN: Bass, cello 

PAUL TAYLOR: Drums   

 

JOANNE 

A song about Doc's parents, who met on a double date in college after the Second World War. 

  

You always said that “Careful” was your middle name 

It got you through the war that set half the world aflame 

You let your light burn low like the red glow of the coal 

Until you met the girl with the bonfire in her soul   

On that double date, you tried not to gaze 

At the gal your friend had brought who had set your heart ablaze 

You could not be careful now, you would have to leave your shell 

To call and ask somehow if she felt the spark as well   

You said, Joanne, I have no way with words 

My tongue is like a string you’ve wrapped around your finger 

But I would like to know you, maybe I could show you 

I’m your man, would you be with me, Joanne?   

 

You always listened well, you always were polite 

You worked hard at your job and watched Gunsmoke Monday night 

But she was drawn to dance to the weeping willow’s tune 

To walk beside the saints and to kiss beneath the moon   

CHORUS   

Contemplating Carl Jung and carving Venus figurines 

She sought to snare the Mystery with her art 

Her life was an experiment to find out what it means 

To build a stained-glass window in the heart   

 

You always thought that she would be the one to carry on 

She’d read psalms in her garden long after you had gone 

But the Fates would not agree with what you both had planned 

And would leave you helplessly to caress her tender hand   

You said, Joanne, I have no way to know 

But if there is a place we go and finally linger 

Then I’ll be right behind you, I will surely find you 

If I can, I will be with you, Joanne 

Yes, I’ll be right behind you, I will surely find you If I can 

I will be with you, Joanne

   

DOC HEIDE: Lead vocal, acoustic guitar, virtual English horn 

KAREN MAL: Harmony vocal 

JAMES KAPLAN: Piano 

HANS CHRISTIAN: Bass, cello   

 

MOONLIGHT AND MARSHMALLOWS 

I had to write a theme song for a musical revue about the history of the Wisconsin state parks during a period of emotional distress. But I didn't want it to be a campfire song, and found that it evolved into a plea for help from my friend Fred, who sang the song in the show.  

 

Lift me up sailor, I’m drowning, lift me before I am gone 

We’re taking water and I can’t remember my song 

Those billows blew high, high, high, swallowed the sky, sky, sky 

I cling to this rudder not ready to die a’ dreaming   

How in heaven, heaven after our troubles are through 

We’ll sit and we’ll sing 'round an old campfire ring with moonlight and marshmallows, too   

 

I’ve been a black-hearted hero, I’ve been the angel of love 

Lost in the wilderness stumbling by starlight above 

Those canyons go down, down, down, you’ll sink in the cold dark ground 

But sailor, there’s a place better we’re bound I’m dreaming   

How in heaven, heaven after our troubles are through 

We’ll sit and we’ll sing 'round an old campfire ring with moonlight and marshmallows, too          

 

Long long time I’ve been riding this rolling sea, no tether to anchor me to reason 

But sailor, now that you’re here I know we will ride out this stormy season   

 

This ship is bound for the morning, let’s roust her my boys and be gone 

Hoist up her topsail and steer for the light of the dawn 

Though the billows blow high, high, high, on the will of the wind we’ll fly 

Chart a course, boys, from the sea to the sky, we’re sailing   

Together to heaven, heaven, where after our troubles are through 

We’ll sit and we’ll sing round an old campfire ring with moonlight and marshmallows too (2)

   

MATT ZEMBROWSKI: Lead vocal 

STEVE KOEHLER: Harmonica 

KAREN MAL: Harmony vocal 

DOC HEIDE: Acoustic guitar 

ERIC LEWIS: 6 and 12 string acoustic guitars 

JAMES KAPLAN: Piano 

HANS CHRISTIAN: Bass, cello 

PAUL TAYLOR: Drums     

 

NORTH BY NIGHT 

Under the blazing stars on the night before Easter, this song began to emerge as an ode to the many meanings of North: realm of mystery, refuge, metaphor for constancy in a troubled time.

   

Lordy me, my soul ain’t free I can’t catch my breath 

Got a heavy load on a midnight road Dark as death 

They say the wise won’t compromise with what don’t feel right 

All I know is I wanna go North by night   

 

I was far too young when I turned my tongue to what should not be spoke 

To bluff and fake ‘til I would break what should not be broke 

Up there far is the constant star burning silver bright 

All I know is it’s time to go North by night   

 

Has the world gone mad, has the deal gone bad, has the earth flown off its track? 

Sailing on and so far gone will it still come back? 

By the sugar moon the red-eyed loon begins his rowdy flight 

Under heaven’s dome he’s headed home North by night   

 

The good and true retreat from view cloaked in clouds of dust 

While the would-be king is conjuring rubies out of rust 

Still the white loon sings of sacred things from her windy height 

She says “All I know is it’s time to go North by night 

"All I know is it's time to go North by night

North by night

North by night"

 

DOC HEIDE: Lead vocal, acoustic guitar 

ERIC LEWIS: 6 & 12 string acoustic guitars, mandolin, harmony vocal 

HANS CHRISTIAN: Bass, nyckelharpa 

MIKE FORDNEY: French horn 

PAUL TAYLOR: Drums 

JAMES KAPLAN: Piano 

HANS CHRISTIAN: Bass, cello   

 

NOTHING BUT A SONG 

Inspired by a quote  by Maimonides, a 12th Century Torah scholar, which is the first line of the song.   

 

Teach your tongue to say “I do not know” 

Teach your mind to dwell on nothing long 

Teach your thoughts to fly like birds across the sky 

And know this life is nothing but a song

   

Teach your ears to hear what is not said 

Teach your eyes to pierce beyond the veil 

They alone are free who judge not what they see 

And can die yet live to tell the tale   

 

Be wary of the ones who say they know 

Be careful what you claim is right or wrong 

When your fears return remember what you came to learn 

And this life is nothing but a song 

And this life is nothing but a song   

DOC HEIDE: Acoustic guitar, vocals   

 

OUR ROOTS SHALL TWINE 

A wedding song based on a metaphor from the natural world.   This songs imagines one tree talking with another.

 

Like two trees beneath one star 

Silent on a hill we stood alone until 

The dawn came streaming from afar 

To prophesy that for all time 

Our roots shall twine

   

When the winds of autumn send 

Our leaves to dance a tune conducted by the moon 

Then like strong trees we shall bend 

Striving always to be kind 

Our roots shall twine

   

We’ll reach for the heavens together, drink the wine of sunshine together 

Show our colors bold burgundy to gold 

REPEAT FIRST VERSE   

 

KAREN MAL: Lead vocal 

DOC HEIDE: Harmony vocal 

ERIC LEWIS: Acoustic guitar 

HANS CHRISTIAN: Bass, cello, twinkling star 

JAMES KAPLAN: Piano    

 

PURE HEART GUITAR 

Fred Alley, one of my closest friends, passed away while jogging at age 38 near the farm that he and his brother and I owned together. He was scheduled to fly to New York in a few days to receive a $100,000 check from Stephen Sondheim for winning the Richard Rodgers Award. Fred had co-written "The Spitfire Grill", an Off-Broadway hit which has now had 700 productions worldwide. His loss stunned our entire community. After Fred passed, his Mom asked me to have his guitar appraised. Seven years later, I was finally able to write this song about him and that guitar.  The song incorporates multiple references to his songs and musicals as well as the theater we built together. 

  

In Gibraltar town there lived a man 

With the voice of an archangel and the soul of Peter Pan 

The boy who wished upon a star 

Would disappear and leave me here with his pure-heart guitar

   

You were the fisherman who set your fishes free 

The brawling burly lumberjack in love with every tree 

Who captured couplets in a jar 

How could it be that you’d leave me with your pure-heart guitar?   

 

With fifty cents between us we took passage to the pines 

Bachelors like brothers all along 

Determined to construct our rude cathedral out of rhymes 

And sanctify the summer with our song   

 

But you pulled the grand surprise, you left too soon 

Now you’re rigging Northern Lights and fishing for the moon 

It was just like you to go too far 

Leave me behind to mend my mind with your pure-heart guitar   

 

You longed to ride the wind and follow where the white bird flies 

You knew you could soar too close to the sun 

But you told me, “Never fear, on golden wings I will arise 

We will meet when day is done” 

REPEAT THIRD VERSE   

 

KAREN MAL: Harmony vocal 

DOC HEIDE: Acoustic guitar 

HANS CHRISTIAN: Bass, cello, harmonium 

ERIC LEWIS: 12 string acoustic guitar   

 

SUN THROUGH A SUMMER RAIN 

A song about a woman who is not what she seems. Inspired by my first date with my wife. 

  

Even if you don’t believe this story I got here 

I guarantee you’re gonna agree it was worth this beer 

In a bar south of Chicago she was singing her lonesome song 

Looked like the girl been around the world--- turned out I was wrong   

 

She was not of this earth, she was not of this plane 

You could tell at night when her heart shone like the sun through a summer rain   

 

I told her ‘bout the storms that go rumblin’ through my head 

And how all I need is one good deed to point to ‘fore I’m dead 

The stars looked just like silver dust as I poured out my soul 

She said, “Give to me your misery, I will make you whole.”               

REPEAT CHORUS   

She said she’d seen the birthplace of the thunder 

She’d seen where the prophets’ dreams arise 

She told of a coming time of wonder 

When the veil is lifted from our eyes   

 

I can tell from your crooked smile that you think that I don’t know 

I’m a hopeless drunk who’s finally sunk as deep as he can go 

Well, this drink here is my last beer, I’m off to find the one 

Whose sweet refrain was soft as rain, whose heart glowed like the sun   

 

DOC HEIDE: Lead vocal, acoustic guitar, virtual English horn 

AMY CHAFFEE: Harmony vocal 

HANS CHRISTIAN: Bass 

JAMES KAPLAN: Piano 

ERIC LEWIS: 12 string acoustic guitar   

 

THE LANTERN 

What began as a song about the Greek philosopher Diogenes turned into a meditation on the unquenchable light inside us.   

 

You may wander through the wasteland, hold your lantern high 

Clear your mind to try and find your soul before you die 

Investigate the darkness to learn what it’s about 

Just remember friend, until the end don’t let that lamp go out

   

You may live among the mad ones, listen to their tales 

Stop and wonder if you’ve done enough to save the whales 

Build a shrine to silence while all the others shout 

But while ya do just make sure you don’t let that lamp go out   

 

You may roam without a compass through the forest of your fears 

Agonize and realize that you’ve been lost for years 

Contemplate that at this rate you may not find the route 

Don’t despair, your lantern’s there, don’t let your lamp go out   

 

You may balance all your troubles like a boulder on your back 

Stagger with your burden ‘til your spine’s about to crack 

Trip and curse the universe, fold your arms and pout 

Life is cruel, there’s just one rule: Don’t let the lamp go out   

 

You may dance among the demons, seek the serpent’s kiss 

Stumble wild and drunken to the brink of the abyss 

Dip your lantern low to see the consequence of doubt 

That’s all fine, just toe the line, don’t let the lamp go out   

 

There are thunderclouds across the plains rolling from the West 

Crops will fall before the rains, the floods will take the rest 

When the Raven speaks in tongues, then shall come the drought 

The time’s at hand to take a stand, don’t let your lamp go out   

 

The tablets have been shattered, the crucible is cracked 

The Constitution teeters like a turtle on its back 

Now’s the hour for all good hands to bring this ship about 

The lantern’s ray shall guide the way, don’t let your lamp go out   

 

The sequoias need the winter snows, fishes need the sea 

Lovers need each other like the blossom needs the bee 

But the perfect jewel, the only tool that none can live without 

Is the work of art that lights the heart, don’t let that lamp go out (2X)   

 

DOC HEIDE: Lead vocal, acoustic guitar 

HANS CHRISTIAN: Bass, cello 

JAMES KAPLAN: Piano 

ERIC LEWIS: Nashville high tuning acoustic guitar, acoustic guitar, additional piano, electric guitar, harmony vocal 

MIKE FORDNEY: French horn 

RORY HOFFMAN: Irish whistle 

PAUL TAYLOR: Drums

 

THE MAN WHO COULD FLY 

Inspired by the life of Saint Joseph of Cupertino, a devout 17th Century Italian monk who was reported to levitate on multiple occasions over decades.  What makes his story especially compelling is that these reports were thoroughly documented by both the Italian Inquisition and the Church's canonization proceedings.  A recent book by historian Carlos Eire examines his life in depth ("They Flew": Yale University Press, 2023).   

 

Pillars of kindness crumble and fall 

Crushed by the weight of hunger and hate and the pain of it all 

Could it be true? Is it a lie 

In Heaven’s name that you became 

The man who could fly? 

  

Scorned by your mother, considered a fool 

Humble and meek, ailing and weak, forced out of school 

Seized by your visions you found a home 

With ones who ordained you to pray alone   

 

And they say you were lifted in the quivering air 

Touched by the kiss of immaculate bliss, you hovered there 

Paupers and princes all testify 

That they would see what cannot be: 

A man who could fly   

 

Skeptics denounced you a dissolute priest 

Calling your skill an omen of ill, the mark of the beast 

Sent into exile in a cell far away 

They never knew all you wanted to do was continue to pray

   

In a daze of devotion, drunken with love 

Taken unplanned, as if by a hand to realms up above 

How did it happen? None could explain 

Your soul was ablaze like flowers will praise the coming of the rain   

 

Sing Hallelujah, sing to the skies 

Sing to console the desperate soul With suffering eyes 

The stormy black ocean will return to the blue 

Hope shall not die for if one can fly 

Any dream can come true 

  

Was it all a delusion of a gullible age? 

Were they fooled for awhile by the cunning and guile of a counterfeit sage? 

Or did heaven adore you and raise you on high 

And by decree declare you to be 

The man who could fly? 

Did heaven adore you and raise you on high 

And by its decree declare you to be 

The man who could fly?   

 

STEVE KOEHLER: Lead vocal 

KAREN MAL: Harmony vocal 

DOC HEIDE: Acoustic guitar 

ERIC LEWIS: 12 string acoustic guitar 

JAMES KAPLAN: Piano 

HANS CHRISTIAN: Bass, cello     

 

THE WORLD AS I FOUND IT 

It took over a decade to write this song, which contemplates the experience of finally leaving grad school and driving a rickety car across the plains to teach in Berkeley, CA.   

 

I packed up my old Ford and headed west from Pennsylvania 

I was free from the ivy-covered years 

A back seat packed with books---William James, the poems of Whitman                                                                 

Brilliant minds insisting life is not how it appears                                                                                 

Rolled across the prairies like a creaking horse-drawn wagon                                                  

Up beyond the Rockies to find the golden fields                                                                                     

Kicked off my shoes and ran down to where the sun sank in the water                                                                                     

‘Til the evening star came shining like a dream the day conceals                                                                                        

 

Will you take this world as you find it? 

A castle crafted by your mother’s hand? 

I would be a wave upon the ocean 

Tumble down to break upon the sand   

 

The trees in California are still green in late October 

I remember hot clove cider on a frosty autumn morn 

I call home every Sunday, I say, “There’s no ice on the water here 

“It just rolls on like summer, or the day the world was born”   

 

DOC HEIDE: Lead vocal, acoustic guitar 

AMY CHAFFEE: Harmony vocal 

HANS CHRISTIAN: Bass, cello, drum programing 

ERIC LEWIS: Nashville high tuning acoustic guitar, harmony vocal   

 

WELCOME PILGRIM 

A celebration of the ancient spiritual tradition of offering hospitality toward the stranger. 

 

Welcome pilgrim, please find yourself a seat 

Welcome pilgrim, take a load off of your feet 

It don’t matter where you come from, it don’t matter why 

Welcome pilgrim, we’re so grateful you stopped by   

 

Tell us of your travels and the lessons that you learned 

The times you fanned the flames of love, the times that you got burned 

Times you had to rise up from the ashes of your pain 

We’re born to love the sunshine but must learn to love the rain 

REPEAT CHORUS  

Tell us of your troubles and the burdens that you bear 

Did you have to don a grand disguise to stifle your despair?  

Everybody here has known the devastating cost 

If you don’t turn over every stone to find the hope you lost   

 

Some among us search for pleasure, some for simple joys 

Some seek the sacred isle of silence in the sea of noise 

Some seek answers that reside beyond the reach of mind 

Where cruelty bows down before the splendor of the kind   

 

Tell us why you chose to take the road that you are on 

Are you runnin’, are you hidin’, do you fear to face the dawn? 

Did you have to leave your family, did you toil to keep them near? 

Welcome pilgrim, you are safe among us here   

 

DOC HEIDE: Acoustic guitar, lead vocal 

ERIC LEWIS: Harmony vocal, electric guitar, 12-string acoustic guitar, lap steel, percussion 

AMY CHAFFEE: Harmony vocal 

LEE BECKER:  Harmony vocal 

HANS CHRISTIAN: Cello, bass 

PAUL TAYLOR: Drums   

 

WHIPPOORWILL 

Inspired by the British ballad tradition in which a wise bird offers sage advice.   

 

The Milky Way shines on this road through the pines 

That runs past the hill with that sad whippoorwill 

Venus and Mars hold hands in the stars 

And croon right along with that whippoorwill’s song   

 

He sings, “Lovers, be kinder, be closer to each other 

Heed my reminder: never let a lover grow far from you”   

 

The stars spin around, they don’t make a sound 

The whole world is still, then that sad whippoorwill sings: 

“You made a mess, go on and confess 

What you did was wrong”, goes that whippoorwill’s song   

“She will forgive you, but you should have known               

She was born to be with you, that girl’s the only star for you”   

 

La da da da, la da da da 

“Come away on my wings”, the whippoorwill sings 

La da da da, la da da da 

“With her you belong”, goes the whippoorwill’s song   

 

“She will forgive you, but you should have known 

“She was born to be with you, that girl’s the only star for you

Only star for you"  

DOC HEIDE: Lead vocal, acoustic guitar, virtual English horn 

AMY CHAFFEE: Harmony vocal 

ERIC LEWIS: Nashville high tuning acoustic guitar, harmony vocal 

HANS CHRISTIAN: Bass